Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Saturday, August 16, 2014

Art at the Yeosu Expo in South Korea

Unlike far too many previous Olympics, Expos, and other international events with extravagantly constructed stadiums and buildings only to be abandoned and unused following their concluding acts, the Yeosu Expo, which was held in 2012, continues to be a dynamic and vibrant venue that regularly features many different activities and events.  I almost always travel to the Expo from Suncheon by train, and the line conveniently ends at the train station that is located directly across from the Expo.  

I went to the Yeosu Expo yesterday, August 15, which was Independence Day in South Korea.  The train was very crowded, and the Expo was also crowded, too.  Amidst all of the hustle and bustle of the day, I couldn't help but see that there was a sculpture exhibition in one of the event rooms.  The exhibition room is very noticeable, because just outside the entrance is a very large sculpture that commands one's attention.  The artists involved created the sculptures from discarded metals and plastics that otherwise would have been thrown away in some manner.  The sculptures vary in size from the large piece that I mentioned above to a small piece about the size of my thumb.  

The exhibition will end on Sunday, September 14, 2014, so there is plenty of time to travel to the Expo in Yeosu to see it.  The following photographs show some of the sculptures that are showing at the event.

Sculpture at Yeosu Expo
© Mark Eaton

Sculpture at Yeosu Expo 2
© Mark Eaton

Sculpture at Yeosu Expo 3
© Mark Eaton

You might want to bring a change of clothes to the Expo.  Why?  Well, you just might get a bit wet when you paddle the kayak around near the Big O.  There is a brand new guesthouse on the premises for those who travel far from home.  I hope the event planners continue to feature other works of art in the future.

 


Wednesday, July 23, 2014

Art In Suncheon

Though a beautiful city, Suncheon doesn't have a large collection of art galleries in the city proper.  A few can be found near the fashion district, and there are a couple here and there outside of the city.  

My favorite art gallery to visit in Suncheon doesn't look like a gallery, nor is it near the fashion district.  It is located along the Dongcheon, which is the river that cuts through the city.  After the building was erected a few short years ago, I decided to go into the place after taking a long walk on the river walk, because all the signs said that it was a restaurant and a cafe.  I thought I would catch my breath and have something cold to drink.  The art hit me as soon as I walked through the doors.  All along the walls some sort of art can be found.  There were even a couple of small installations, too.

To make a long story bearable, I was able to meet the artist and his wife who own and operate the restaurant/cafe/gallery.  He has done a lot of work both inside and outside of the building.  Once the couple learned that I like photography, they said that they would show me their gallery located downstairs.  It is nice, and the work that is exhibited is very, very nice.  I won't spoil it for you, so you will have to take a look for yourself.

I've taken some of my Korean friends to the gallery, and they have asked me how I found out about it since it isn't obvious.  I replied that I found out about it the same way I learned about many places in this area:  I walk to it, bus to it, or have someone drive me to it, and I start talking to people.

Here are a couple of photographs of the gallery.

Resto Cafe
© Mark Eaton


Resto Cafe II
© Mark Eaton

It is located on the eastern side of the Dongcheon.  If you walk along the river walk, be it northward or southward, you will see it for this simple reason:  the river walk was constructed in such a way that it raises out of the river basin to the front of the building.  And then it drops back into the basin.  You can drive there, of course.

I would ask about seeing the art in the gallery only after the hostess seated me, and only after I ordered coffee or a meal.  It is a nice way for everyone to become familiar with everyone. 


Tuesday, January 28, 2014

The Art of Park Seung Mo

Only recently was I made aware of the wonderful wire art by Park Seung Mo.  He creates his subjects using aluminum wire to make fine sculptures.  To view some of Mr. Park's work, visit his website here.

To see the artist in action, take a look at the video at his website here.


Wednesday, May 15, 2013

Atta Kim and the Art of Photography

One of my favorite photographers happens to be Atta Kim, who was born in Korea.  I was thinking about Mr. Kim after tidying up some of my own photographic business; I haven't seen or heard about any recent updates speaking to his photographic art.

I appreciate Mr. Kim's work, because it is transcendent.  Fearless.

Atta Kim's website can be accessed here.

Someone wrote an interesting piece about him at Wikipedia that can be read here.

Over at the Artbook site, The Museum Project by Atta Kim is presented.  Take a look at it here.







Thursday, May 2, 2013

Sylvia de Swaan

For years now the photography of Sylvia de Swaan has touched me deeply.  There is European history, feelings and emotions, and a personal interest of peoples slaughtered and displaced just for being different, powerless.  In some of her projects, Sylvia de Swaan is an intimate part of the subjects of her compositions as can be seen with her hands reaching and connecting.

It is a privilege and an honor to present Sylvia de Swaan --

Eaton:  Please introduce yourself.

Sylvia:  I’m an artist/photographer who was born in Romania and has lived and worked in Mexico, Europe, and the U.S.A. I’m a traveler, explorer and seeker. Though I adapt easily to new people and places, on some level I often feel like the odd person out, the one who can’t give a short one line answer about who I am or where I’m from, the one whose lineage was truncated before I was even born and whose early history is a blur of trauma, change and movement.

Eaton:  What do you do?  Most importantly to me, why do you do what you do?

Sylvia:  I have a long track record in the arts dating back to my teens at the High School of Music and Art, one of NYCs public schools for specially gifted students - where we already were treated as serious artists. In my early twenties I went on a six-month visa to Mexico City to make art and have an adventure, and ended up living there for eleven years – got married, had a son and became an active member of the arts community. My works on paper, paintings, light boxes, and others were exhibited in numerous one person and group exhibitions. Eventually at a lull in my work, I became interested in photography and had an informal apprenticeship with Rodrigo Moya, a Mexican photographer who took me under his wing and taught me the rudiments of the medium. I only meant it as a temporary digression from my “real work,” but much to my surprise photography little by little won me over.

I’m one of those fortunate people who wake up in the morning and mostly do what I love to do, i.e., my own work - whether that consists of being involved in a long term project; sometimes traveling, other times being home – shooting film, processing, editing, designing a book, preparing for exhibitions, or writing about the work. Or on the other side, to earn money or part of the overall creative process, I teach photography, give slide lectures, curate exhibitions, and for sixteen years was Executive Director of a studio arts organization.

Waiting - © Sylvia de Swaan

Eaton:  Your resume is remarkable. In my opinion, it is a statement about your work ethic and the quality of your artwork. What did you do to become recognized in the art/photography world? How do you sustain your incredible reputation and the flow of your work?

Sylvia:  Thank you for considering me more successful than I think of myself – but it is a fact, to paraphrase some famous person, that nobody thinks that they are thin enough, rich enough or famous enough. I’m a Leo with a Virgo rising – which means that I’m both outgoing and introverted. My underlying belief is that if one makes meaningful work wherever one is located, somebody will take notice. That was my philosophy when in 1979 I was invited to be the director of a fledgling residency program for sculptors located in Utica NY, which under my watch gained an international reputation among artists, was awarded a New York State Governor’s Art Award, a Mac Arthur Award – and it’s also my philosophy regarding my own work. I’m not particularly good at standing around at openings with a glass of wine in hand making scintillating conversation – but I do think it’s necessary to do professional outreach on some level, so that ones work doesn’t languish in the closet with no one to look at it.

The internet and social media are very useful for disseminating ones art to a broader audience, without having to be in that awkward position of banging on a gallery door with a heavy portfolio in ones hand. I post images on Facebook, in part to look at them myself in an open arena, using it as an editing space – but at the same time my worldwide community of “friends,” among them artists, photographers, critics, writer, can see them and react or not…so of course a much broader international public now know my work than before.

Eaton:  Who and/or what influences and/or motivates you?

Sylvia:  My influences are cross-disciplinary. Since I didn’t start out as a photographer from the very beginning, I don’t share in some of the holy canons of photography that seem to preoccupy others. In some ways my work relates more to film and literature – because of my interest in narrative and time and memory. Nevertheless my early inspirations were painters: Kandinsky, German Expressionists, Surrealists, Picasso, Goya, Redon and many others. As to photography Bill Brandt, Duane Michals, Kenneth Josephson, Roger Ballen, Lorna Simpson, Duane Michaels, Nan Goldin, Eikoh Hosoe, James Nachtway and many, many others.

 
 Portal CZ - © Sylvia de Swaan

Eaton:  Your photographs, “War Game” and “The Tunnel,” command my attention, as do many other of your images. What are you trying to communicate to those who view your art?

Sylvia:  The two images that you mention are part of a long-term project titled, “Return,” that I began in the immediate aftermath of the fall of the communism – in order to explore the terrain of my early childhood, and retrace routes my family traversed as Holocaust survivors and refugees at the end of the Second World War. These images are part of a symbolic language that I developed over time to depict the invisible, the bygone and the intangible. In my journal I’d written, “how does one photograph and absence?”

By the way, none of my photos are photoshopped. They’re all taken real time and space. So for example “The War Game” is a picture of my hand holding a model P38 bomber (that for a nano second is meant to look real) overlooking a railroad yard in Poland to depict a recurring nightmare from my childhood years.

So as not to repeat myself excessively with things I’ve said elsewhere, I copy and paste a post from Fototazo that tells about this project and my intent to work on a sequel this coming summer:


Eaton:  You have an extensive background speaking to the subjects of being published, exhibiting your artwork, and receiving grants. What advice can you share with an artist or photographer who wants to broaden his or her own horizon?

Sylvia:  There are no formulas, but I think for starters you have to love your work and be sufficiently engaged in it to push to ever further and to be willing to edit out your favorites, because they may not contribute to the narrative as a whole – but also you have to share it, send it out and apply for stuff. While it does happen sometime that artists have been “discovered” without any effort on their parts, it is pretty rare and unlikely.

There are two sides to being an artist – one is the inspirational, visionary, who shouldn’t be overly concerned with audience or money during the process of creation – the other is the more practical, professional. And of course because there are many more artists than opportunities available every application is a long shot. But it’s definitely worth trying - first because one gets better at it with practice - better at editing, better at presentation – and second because respected professionals get to see the work, and even if one isn’t chosen as numero uno, somebody might remember and recommend one's work at a later date. 

When I apply for a fellowship or grant, I put a lot of work into it, doing the best I can at that particular moment. When I send it off I usually don’t think of it again until just before the scheduled announcement dates.

Below is a link to the American Society for Media Photographers that offers some very useful advice about competitions and how to apply:


Eaton:  To date, what accomplishment has created the most satisfaction for you?

Sylvia:  Like any artist who has worked for a long time I’ve had my share of successes and disappointments. What gives me the greatest satisfaction is my trajectory as a whole, for the fact that I’ve consistently developed and grown as an artist, have never had to compromise my aesthetic or beliefs – and though I haven’t gotten rich I do support myself and have been honored to be awarded prizes and fellowships for my works.

But my formative milestones were being accepted to attend the H.S. of Music and Art; venturing to Mexico in the 1960s and creating a rich, interesting new life there; having a son; living in New Orleans in the mid 1970s; coming to upstate New York; my sixteen-year job as director of Sculpture Space, which I left to devote myself again to my personal work. I feel grateful and privileged for all the fellowships and awards that have facilitated the creation of new work and hope to continue making meaningful and relevant work that will garner me support in the future.

Eaton:  Please share any links to any sites so that readers can see more of your work.

Sylvia:  Though I’ve only mentioned one here by name, but I work on several long-term projects concurrently: 

View Return at the Empty Kingdom site here.

Sylvia de Swaan's website can be accessed here.

Her photo blog is found here.

For those readers who use Facebook, some of Sylvia de Swaan's work can be seen here.

Eaton's Note:  Read Sylvia de Swaan's resume at her website here.  Please also note that I received an updated version of the resume from Sylvia de Swaan.  Rather than repost the entire resume here, I shall share some current information:

-Ongoing -- Reviewer, Photography Reviewer, Virginia Center for the Creative Arts
-2013 -- Guest Curator; "Contemporary Drawing:  Recent Trends" -- Kirkland Art Center, Clinton, NY
-2012 -- Instructor, Intermediate B&W Photo, Pratt Institute






Tuesday, April 9, 2013

Poppy Silver -- An Artist to the Core

I am very honored to feature Poppy Silver.  She is from the United Kingdom, and she is an artist to the core of her being.  To name but only a few of her creative talents:  Writer, poet, composer, musician, vocalist, photographer, and tireless promoter of the arts and artists.

Much of her art raises awareness about social issues and human relations.  Poppy's art resonates well.  I present Poppy Silver:

Please note that all images in this article are © Poppy Silver.

Eaton:  What do you do?

Poppy:  I am foremost a writer and also a musician and a lover of taking photography. I began to write around twelve years by starting a novel which then progressed to poetry. I write and create music to exorcise demons and let a moment of beauty or bane breathe or seethe. Taking photographs is a challenge that fulfills me. I am always trying to capture the essence of nature or life in order to allow it speak through art.




Eaton:  What matters most to you?

Poppy:  I think this is a vast topic and one which has a lot of answers. One of the most important things to me would be to remain humble, remain the person I have always been. Not lose sight of the fact that I am human and there are so many other artists out there just as deserving of attention. Supporting other artists is incredibly important to me. Then you have the usual factors - family, maintaining health and so forth.

I guess to continue being an open minded, good-hearted person is what matters most to me. Seeking truth amidst the control we are all under everyday of our lives is a strong side to me as well. Also, nature is important to me, a mentor of sorts, helps me connect to what is important.




Eaton:  What is your vision or dream?  How has your view changed due to life experiences? 

Poppy:  I think as soon as we start to place dreams into order, we can become disappointed. I have no specific goal except to maintain the vision of art as one from the heart. Just to share art is to share the self. Each time I write a poem or lyrics or sing, I sacrifice a small part of myself, as many artists do. I think ultimately, if there is a vision or dream, it would be to understand life more, a dream most of us have.

I have changed a lot since beginning my artistic journey. Things no longer seem black or white. I address the shades of grey in-between as well. Losing my father changed me in a big way. Current health issues have also changed my perception of life and my work.

I have learned to ride the wave more, so to speak. If fate laughs at you, you have to learn to laugh back. This is my motto of late.

To me, these changes are inevitable, a growing process. It reflects in an artist’s work when they go through life changes. It shows in the way they deliver poetry or the way their voice is directed in songs. So, yes, a lot of changes are happening to my life right now and sometimes we have stand back and observe these changes from an outsider’s point of view and learn to take each day as it comes, cliche but true.

Eaton:  What is your motivation?  Who or what is your inspiration?

My motivation would be to expel emotions. My writing is mainly a quest, as I see it, to banish and yet revive. I write because it is my natural desire to do so.

My inspiration would be life itself, the journey of inner thoughts. The ultimate questions we hold about life and death, the offering of sanity through purge.

There are times when I have a specific thing in mind to vent about and there are times when I am influenced by the state of the world. My writing and my band’s songs can be emotive or politically driven. Both sides are to be explored within my mind. We all too often take so called facts at face value without questioning them and what better way to do so than through the vein of release – art.

So inspiration, to me, is taken from all facets of life and beyond. I sometimes write with no intention but to channel thoughts from the ether. As artists, I believe we open gate ways sometimes that lead us to write about what others are feeling too.

Eaton:  I perceive that your creativity is multifaceted:  You are a vocalist, a musician, a poet, a writer, a photographer.  Please share about each genre or media.  How do all of these tie together for you, or are they separate and distinct venues that allow you a creative escape from another form?  As I write this to you, I’m listening to Orbitally Re-Arranged Monatomic Elements; each song has a message.  Each song shows powerful a video that I, as a student of history, enjoy viewing.  Who composes the songs?  What is the intent of the music?  What is the future of the band?

Poppy:  I think all are equal sides to myself, they go hand in hand. As a writer, I use the skills poetically to influence lyrics and how I feel when I sing the song. Music to me adds the wave forms that move the words. Both poetry and music are like brother and sister to me. I actually find writing poetry easier than lyrics. Lyrics are always crafted in a different manner, condensed to have more impact.

It is hard to divide these elements. I class myself more a writer than poet as I write myriad formats of writing.

Photography is a sheer pleasure for me. It enhances the powerful side of life that can be captured and remain forever. Photography is a huge influence to my art. I also manipulate photography to add words to or write about, distorting reality, so to speak.




As for the videos my band creates. I feel it makes a change to have footage to a video that does not include the artists themselves. No way is the better way. There are so many bands out there that use only footage of themselves and this is more than fine. I do feel though, if you have a song that lyrically represents something, you can take that further by imagery. That is what we attempt to do through our videos.

The intent of the music is open the mind, to carry people through an emotional journey or to shed some light on political issues. To find some balance in all the deceit around us. Our music is a release of chaotic thoughts and feelings to a purge of seeking insight in the darkness.

We both compose the music. We both have an equal say in what the lyrics are and what goes into the music so it is pretty much a joint thing although, as in many bands, sometimes, one person runs with it more than the other, as in, sometimes ideas come to one and they may have a different way of executing them to the other people. On the whole, our music is usually equally composed.

For the future of the band, I simply want to reach an audience in the way that they resonate with what they read and hear. Ultimately, that is all an artist can hope for and remain real in the process.

Eaton:  Is there is a poem, or spoken word you want to share in this article?  What details can you provide about this work?
  
Poppy:  I shall include a link to my spoken word poem, “Welcome to Dajjal.”

“Welcome to Dajjal” is a political poem. It was written after I had just read about the war in Iraq. The poem speaks for itself. The devastation caused through things such as HAARP, FEMA camps and vaccinations to name a few. It all accumulates into a poem that alerts people to these things.

We are definitely cattle in this life to the elite.

This poem is telling humanity to gain their power back, through love and not violence.

“There is no division. We are all equal.”

Eaton's note:  "Welcome to Dajjal" is on Youtube.  Please click on the link to see and to listen:  Welcome to Dajjal.

Eaton:  What future plans and/or goals do you want to share publicly? 

Poppy:  We are currently working with a band called Controlled Disorder on four songs. This is taking precedence at this time. It is a great honour for us to collaborate with them.

Eaton:  Have you any upcoming performances, readings, exhibitions, or publications? 

Poppy:  We are also working on a new spoken word album for my poetry. This album will be a mixture of genres with a soundscape like my last album. I am also putting together a book of poetry and thinking about a photography book along with Haiku as well.

Music wise, we have five new tracks to complete and shall hopefully be releasing an Acoustic EP in the near future.

...

Poppy's artwork, her collaborative work with other artists, and her promotion of the arts and artists can be found at the following websites:

Listen to the music by Orbitally Re-Arranged Monatomic Elements:  O.R.M.E.

Poppy is also partner to a website called Apollo Blessed.  It is a platform to share all forms of art, and all artists are welcome there.  I am a member of Apollo Blessed, and it is a very nice place to share and to get to see what other artists are doing.

Take a look at the Apollo Blessed site:  Apollo Blessed.



Monday, March 18, 2013

Monday's Musing

I don't understand the "prey and display" crowd.  I suppose if I did understand that mentality, then I would have a greater concern.  I oppose censorship and the tattletale way of life; however, our most vulnerable do need advocacy.  Unfortunately, the professed do-gooders also cause a lot of harm.

There is art, and then there isn't art...no matter how it is dressed...or undressed.  Jock Sturges gets it right, but Irina Ionesco got it all wrong.  And then there are those who don't even pretend, or care, to get it right -- the source of torment, pain, and unimaginable damage.  If there is a god, then I shit on it for its voyeuristic persona and for it being too busy to do anything other than count its ill-gotten gain every week...oh, and looking for all those lost keys is a time killer, too.

On this particular Monday I'm very glad that Felix Hoffman loved his father enough to do something about it.


Sunday, March 10, 2013

Endings and Beginnings

Endings and Beginnings is more about the work of photographing the subjects in the moment rather than about the work in the dry darkroom. Specifically, this project begins the use of manipulated glass, filters, and materials during photo sessions. It is a transitional process that marks the end of the photographic status quo.

The following two photographs are included in the project:

 Living Proof
© 2013 Mark Eaton


Dormant for the Time Being
© 2013 Mark Eaton







Wednesday, March 6, 2013

Currently at ARTnews: Man in Korean Costume

Sharon Mizota at ARTnews has written an interesting article about Peter Paul Reubens and his 17th century drawing titled, Man in Korean Costume.  There is mystery and curiosity speaking to the subject of the drawing.  Read the article and take a look at the drawing here.


Friday, March 1, 2013

An International Auction by Martyn Thompson

In November 2012, I posted an article about Martyn Thompson and his wonderful and creative art.  To read the article and to see some of his art, please click here.

Martyn has run out of space to create more art.  To make room for his new creations he is auctioning off several previously made pieces.  Please note that I learned about the auction on Facebook; I approached him and asked his permission to publicize his auction on this blog.

The starting bids for his artwork will range from 10% to 20% of the gallery listing prices depending upon the piece.  I asked Martyn if he will ship internationally if a buyer pays for the shipping fees, and he replied that he will ship certain pieces internationally.  In other words, this is an international auction.

Available are some of his photographs, including figure nude images and also some of his panoramic landscape images, and various sculptures.

There are some pieces he will not ship due to weight restrictions.  Those pieces that will not be shipped are as follows:

1)  Any cat sculpture cannot be shipped internationally.
2)  "Halfway Up Mani San" cannot be shipped internationally.

I am posting a couple of images to show what is available at this auction:

Lake Park #1
Photography
© Martyn Thompson

 
Sitting
Sculpture
© Martyn Thompson


Bids are being received at this time.  The auction concludes March 7, 2013.  To repeat, the auction ends 2013/3/7.

For more details about the auction and to view more of Martyn's artwork that is available, please visit his Facebook auction page here.

For those who don't have a Facebook account, contact Martyn at his website here.

Sunday, October 7, 2012

Camille Paglia on Capitalism and Art

Professor Camille Paglia is a thinker and a philosopher.  Her views about the current demise of fine art, and how fine art can gain new life is sure to provoke.  Read her thoughts, beliefs, and ideas about fine in this Wall Street Journal article she wrote here.

Thursday, August 2, 2012

The Incredible Maria Lisak

I have been a regular contributor to Social Discourse of Disquiet for some time now.  SDoD is an art blog based in Gwangju-si, Jeollanam-do, South Korea; but it features much more than just the arts, too.

My submission this month is about the founder of Social Discourse of Disquiet, Maria Lisak.  The article is found here:  The Incredible Maria Lisak

It is an honor for me to know this remarkable woman who loves the arts and who loves humanity.

Wednesday, July 18, 2012

Ricardo Segovia - Photographer from Mexico

I have known Ricardo for a few years, and he has some common traits that many other fine art photographers possess:  kindness to others, gentlemanly, high values and expectations, and genuine artist vision and talent.  His attention to detail is keen, and his desire to create works of excellence is palpable.

What better way to illustrate my assertions than to see some of Ricardo's artwork.  This is a link to that part of his website that features his Autumn Leaves project:  Autumn Leaves by Ricardo Segovia.

I look forward to seeing his artistic creativity in the future.