Monday, June 2, 2014

Aoife Casey -- On A Visual Journey

Aoife Casey is a visual artist whose creative works of art draws me into a space that is positive and vibrant.

Self Portrait 1
© Aoife Casey

Originally from Dublin, Aoife has been living in Seoul since March 2013.  Her love for the arts is due to the influence of her parents at an early age.  Her room was decorated with beautiful hand painted fairy tale scenes composed by her mother.  It was her mother who encouraged Aoife to draw as often as possible.  Her father always had his camera with him.  Being surrounded by such creativity and such respect for the arts, it would have been surprising if Aoife didn't pursue her own artistic journey.

Having graduated from Dun Laoghaire Institute of Art, Design and Technology (IADT), and from National College of Art and Design (NCAD), Aoife has a solid background in the arts.  How she illustrates part of her journey is best described using her own words:

"I've tried out so many different types of avenues, visually, and have studied sculpture, painting, photography, textile and fashion design, permaculture, installations and sound.  Much like tone of voice, my medium changed a lot over the years."

After moving to South Korea, Aoife's primary tool to create her visual work is the camera.  As yet, she doesn't have a studio in Seoul, so the camera is very convenient for her.  Not surprisingly, she makes many of her own costumes and props for her compositions even though the physical space required for such productions is limited.

 Jessica for Eternal Romantic
© Aoife Casey

Aoife's greatest inspiration comes from the people she meets.  She feels inspired to capture the dynamics and the stories of the people she meets.  She wants to capture their energy, vibrancy, beauty, and vulnerabilities.  In my opinion, it is apparent that she and her subjects connect so very well, and that she is able to show the absolute humanness of her subjects so very well.  How does she do that?

"I'm a total romantic, too, and I feel that comes across in my work.  Growing up, my walls were covered in Pre-Raphaelite posters and poems.  Personally, I feel living is such a crazy ride in terms of emotions, thoughts, and feelings; some good, some bad, some hard to understand, that I have a need to explore, negotiate, and assess these issues through art."

She understands her subjects, and they understand her.  That connection creates an electric and emotional bond.

She also draws inspiration from the natural environment in her work.  She incorporates the natural environment into her work by using props made from nature and natural things, or by laying an image to add depth and texture to the composition.

 Spring Lay Down 1
© Aoife Casey

Jayun and Jui for Hope
© Aoife Casey

On a personal note, I became aware of Aoife and her work after she began publicizing and then publishing some photographs from The Natural Beauty Project.  As is true with many people who come to Korea, Aoife sought to understand why so many Korean women have cosmetic surgery.  The Natural Beauty Project, as she describes it, was an investigation to learn and to understand why Korean women would want to change their appearance.  Fifty women participated in the project, and she came to realize from them the cultural pressures and expectations that so many face.  

Freya Han for The Natural Beauty Project Seoul
© Aoife Casey

Currently, Aoife is a monthly contributor to CultureM Magazine, which is an international online cultural magazine published in South Korea.  The magazine discusses many different things about Korean culture, music, fashion, visual arts, and cultural events.  To read and view her contributions to CultureM Magaine, please click on this link.

She is also involved in a collaborative project with fellow artist and friend, Jennifer Murphy, who happens to be in Ireland.  It is literally an international collaborative effort.  The Affinity is the title of the project.  Each month a theme is chosen, and the two artists submit one or two photographs in response to the theme.  The project can be seen on a Facebook page:  The Affinity.  For those who don't Facebook, one response to the Essence theme is shown below.

Essence for The Affinity
© Aoife Casey

In response to my question about her goals, Aoife replied that her goal is to be expressive and happy.  Overall, her aim is to tell a visual story through a single image, or through a group of images. 

She is looking for ways to challenge her work.  With her photographic work, she is working with more than one subject at a time, plus she is working towards portraying male subjects.  The challenge is exciting and completely different for her. 

It is also her desire to complete an artist residency sometime in the future.

To view more of Aoife's artwork, visit her website here.  (Please note that the website is undergoing some major maintenance work at this time, so try again later if the site is not accessible at this moment.)

Her work can also be seen at her photography blog here.

The art of Aoife Casey does fill me with happiness.  Her work is timeless, really.  By way of conclusion, her thoughts about her visual journey:

"I really feel sharing my work with a broad audience, and for them to enjoy it is how it comes alive.  I hope to look back on my work in ten years and be proud of the visual journey I have taken."






Tuesday, May 27, 2014

Aline Smithson Presents One Week of Korean Photography at Lenscratch

Over at her blog, Lenscratch, Aline Smithson is presenting a week of Korean photography.  The photographer Hye-Ryoung Min will be curating this project.  I have enjoyed Ms. Min's photographic work for a few years now, and I am very interested to learn which Korean photographers will be featured during this week long event.

Hye-Ryoung Min starts off the week by explaining the state of Korean photography, and by showing some of her work.  To view her article and her work, go to the Lenscratch blog here.  

I hope everyone has a great week!



Wednesday, May 14, 2014

The People of the Mud Volume 2

Not too long ago I published Volume 2 of The People of the Mud at my website.  The People of the Mud is but one of two parts of my longitudinal study of Suncheon Bay.  You may recall that the other component of the study is comprised of The Boats of Suncheon Bay.

In Volume 2, I wanted to present a sense of vastness, size, and perspective.  Suncheon Bay, and its mudflats that are exposed during low tide, is an excellent venue to show those qualities.  

  Perspective and Size XIII
© Mark Eaton

Because many of the fisheries on Suncheon Bay are distant from the shore, it is often difficult to determine if a harvester is working the nets or the traps or not.  By way of example is the photograph below at the composition titled, "Kneeling in Front of the Trap."

Kneeling in Front of the Trap
© Mark Eaton

At the apex of the fishery in the photograph above is a harvester kneeling in front of a trap.  In fact, the harvester is on hands and knees retrieving seafood from the trap.  A casual glance out onto the bay most likely will not allow a person to even realize someone is working a fishery.  A determined and systematic look onto the bay can allow a person to see some sort of dark figure and/or movement at a fishery.  Harvesters don't lollygag while working, hence movement will be detected sooner rather than later. 

To view this edition of the project, please visit my website:  The People of the Mud Volume 2.



Thursday, May 1, 2014

Construction of a Fishery on Suncheon Bay

Any person who has taken the time to get to know me, an arduous task I do admit, will come to understand that I do like being in, on, under, and around water, the ocean, and the sea.  I am fortunate to live in the peninsular country of South Korea, because the seas are not all that far away from just about any location in the country.  I feel even more fortunate that I live so very close to Suncheon Bay, because while it is peaceful and serene, it is simultaneously a dynamic and energetic place.  Suncheon Bay is an important and essential habitat for many different species of animals, and it is also an important fishery.

I witnessed on several occasions this spring the dynamic nature of the bay.  While visiting the village of Waon, which is located on the eastern pincer of Suncheon Bay (appropriate since the bay is very well known for its crab population), I saw the construction of some fisheries.  Some were constructed very close to the main dock at Waon, while the others were a distance from the shore.

As part of my longitudinal study of the people of the mud,  I wrote this at my website about my experiences and observations:

"On makeshift factories atop barges that are moored to shore, the women quickly built the fences made of bamboo and nets. Meanwhile, the men sledded to the locations of the new fisheries to erect those fences made by the women."

 공장
© Mark Eaton

Constructing a Fishery
© Mark Eaton

Various species of seafood will be trapped and harvested at these fisheries.  To see more of my photographic study of this construction, please visit my website:  The People of the Mud.





Friday, April 11, 2014

Foreign Photographers Residing in Korea to Exhibit Photography at Photo & Imaging 2014 in Seoul

Due to the focused and diligent work of Dylan Goldby, 50 foreign residents will be showing their photography at Photo & Imaging 2014 at the COEX Convention and Exhibition Center in Seoul.  In the history of the Photo & Imaging show, this is the first time that foreign residents of South Korea will be exhibiting as a group.  

The theme is, "The Korea I Love - A Foreigner's View of Korea."  Each photographer will be showing one piece at the show.  I am honored and humbled to be a part of this group exhibition.  This is a very important event for all involved, because there are tens of thousands of visitors viewing all manner of things related to photography as presented by close to 200 different companies.

Photo & Imaging 2014 will open on Thursday, 17 April 2014, and it will conclude on Sunday, 20 April 2014 at 5 p.m.

"Peaceful" is the title of my photograph that will be on display.

 Peaceful
© Mark Eaton

To read some interesting history about the Photo & Imaging concept, including its origin, visit the Photo Event Calendar website here.

The address for COEX Convention and Exhibition Center, as well as a map, can be seen at the eventegg site here.

The tradeshowz website also has some information about Photo & Imaging 2014, including phone numbers.  Take a look here.

I look forward to attending the event.  I also look forward to meeting other photographers there, and to see what is new in the world of photography.