Wednesday, May 14, 2014

The People of the Mud Volume 2

Not too long ago I published Volume 2 of The People of the Mud at my website.  The People of the Mud is but one of two parts of my longitudinal study of Suncheon Bay.  You may recall that the other component of the study is comprised of The Boats of Suncheon Bay.

In Volume 2, I wanted to present a sense of vastness, size, and perspective.  Suncheon Bay, and its mudflats that are exposed during low tide, is an excellent venue to show those qualities.  

  Perspective and Size XIII
© Mark Eaton

Because many of the fisheries on Suncheon Bay are distant from the shore, it is often difficult to determine if a harvester is working the nets or the traps or not.  By way of example is the photograph below at the composition titled, "Kneeling in Front of the Trap."

Kneeling in Front of the Trap
© Mark Eaton

At the apex of the fishery in the photograph above is a harvester kneeling in front of a trap.  In fact, the harvester is on hands and knees retrieving seafood from the trap.  A casual glance out onto the bay most likely will not allow a person to even realize someone is working a fishery.  A determined and systematic look onto the bay can allow a person to see some sort of dark figure and/or movement at a fishery.  Harvesters don't lollygag while working, hence movement will be detected sooner rather than later. 

To view this edition of the project, please visit my website:  The People of the Mud Volume 2.



Thursday, May 1, 2014

Construction of a Fishery on Suncheon Bay

Any person who has taken the time to get to know me, an arduous task I do admit, will come to understand that I do like being in, on, under, and around water, the ocean, and the sea.  I am fortunate to live in the peninsular country of South Korea, because the seas are not all that far away from just about any location in the country.  I feel even more fortunate that I live so very close to Suncheon Bay, because while it is peaceful and serene, it is simultaneously a dynamic and energetic place.  Suncheon Bay is an important and essential habitat for many different species of animals, and it is also an important fishery.

I witnessed on several occasions this spring the dynamic nature of the bay.  While visiting the village of Waon, which is located on the eastern pincer of Suncheon Bay (appropriate since the bay is very well known for its crab population), I saw the construction of some fisheries.  Some were constructed very close to the main dock at Waon, while the others were a distance from the shore.

As part of my longitudinal study of the people of the mud,  I wrote this at my website about my experiences and observations:

"On makeshift factories atop barges that are moored to shore, the women quickly built the fences made of bamboo and nets. Meanwhile, the men sledded to the locations of the new fisheries to erect those fences made by the women."

 공장
© Mark Eaton

Constructing a Fishery
© Mark Eaton

Various species of seafood will be trapped and harvested at these fisheries.  To see more of my photographic study of this construction, please visit my website:  The People of the Mud.





Friday, April 11, 2014

Foreign Photographers Residing in Korea to Exhibit Photography at Photo & Imaging 2014 in Seoul

Due to the focused and diligent work of Dylan Goldby, 50 foreign residents will be showing their photography at Photo & Imaging 2014 at the COEX Convention and Exhibition Center in Seoul.  In the history of the Photo & Imaging show, this is the first time that foreign residents of South Korea will be exhibiting as a group.  

The theme is, "The Korea I Love - A Foreigner's View of Korea."  Each photographer will be showing one piece at the show.  I am honored and humbled to be a part of this group exhibition.  This is a very important event for all involved, because there are tens of thousands of visitors viewing all manner of things related to photography as presented by close to 200 different companies.

Photo & Imaging 2014 will open on Thursday, 17 April 2014, and it will conclude on Sunday, 20 April 2014 at 5 p.m.

"Peaceful" is the title of my photograph that will be on display.

 Peaceful
© Mark Eaton

To read some interesting history about the Photo & Imaging concept, including its origin, visit the Photo Event Calendar website here.

The address for COEX Convention and Exhibition Center, as well as a map, can be seen at the eventegg site here.

The tradeshowz website also has some information about Photo & Imaging 2014, including phone numbers.  Take a look here.

I look forward to attending the event.  I also look forward to meeting other photographers there, and to see what is new in the world of photography.



Wednesday, April 9, 2014

Corey Malcolm Lajeunesse -- Bringing Art to Life

I met Corey Malcolm Lajeunesse in 2012 during the opening reception of the International Artists Community's group exhibition in Seoul called, "The Nude Collection."  We both had photographs exhibited at this event at Gallery Golmok in Itaewon, Seoul.  I liked his creativity and his artwork.  In fact, it was his photograph that was used as the cover image for the event publication.

© Corey Malcolm Lajeunesse

Corey is from Saskatchewan in Canada.  He has been an English teacher in South Korea for about eight years.  He is a man of commitment; when he says he will do something, he will do it.  I respect that in a person. 

He began pencil drawing when he was a child.  When he was about 10 years of age he obtained his first camera for the purpose of using a photo as a reference for his drawings.  Throughout his school years, he was responsible for the photographs placed in the junior high school and high school yearbooks.  He became more involved with photography as a young adult.  As it turned out, he was the designated photographer when meeting with friends.

After four years residing in South Korea, Corey made the commitment to improve his photographic skills.  He took a two-day photography workshop, and he took the lessons learned to heart.  He was especially touched by the "shooting in the studio."  Soon afterwards he purchased his own home-studio set; he has been using that home studio for some time now.  As his knowledge increased, his philosophy of art evolved.  In his own words:

"...I found that I was going from being a 'visual reproducer' to actually having original ideas, and I've been running with it."

Corey told me he laughed a bit when he read that I referred to him as a painter.  He doesn't think so, but I've seen some of his paintings.  But then he developed the idea of body painting and developing themed compositions with models who have been painted at the studio.  In my opinion, the results have been remarkable.  I was intrigued by his Spirit of Nature project.  This involved painting Kachina masks on models.  I especially liked his Super Hero theme. Corey will exhibit some of his Super Hero compositions in a group exhibition in July 2014 as part of the Rock, Scissors, Paper art exhibition that will be held at Gallery I located in Insadong in Seoul.  Read more about the exhibit on the event page over at Facebook here.

He is genuinely a modest man, Corey, to the point of being self deprecating about his skills.  I disagree, of course, especially in light of the fact that many artists and models collaborate with him on projects.  His process of creativity is not complicated.  In Corey's own words:

"I get an idea...and then ask myself, "How can I bring this idea to life?"  My reward is simply in seeing that I have taken something from inside my mind, and made it tangible for others to see, and draw their own conclusions."  

Corey hasn't a website at this time, but he tells me that he is putting one together.  I look forward to that time when his site is launched, because I believe many people will enjoy and appreciate his artistic vision.  However, some of his photography and paintings can be found on his art page at Facebook.  To see his Facebook page, visit Scorpio Studio.

Additionally, Corey also invites people to contact via his personal Facebook page that is found here.




 



Monday, March 24, 2014

Miru Kim Exhibits The Camel's Way in Seoul in 2014

The photographer and artist Miru Kim has spent the last couple of years traveling various deserts around the world.  Ms. Kim will be exhibiting many of her photographs from these excursions in Seoul at Trunk Gallery.  The exhibition is titled, The Camel's Way, and this specific show is the first time this project is being shown in South Korea.

Trunk Gallery, located in Jongno-gu in Seoul, is hosting the exhibition beginning Thursday, 27 March 2014.  The opening reception is being held at the gallery on Thursday from 5 p.m. to 8 p.m.  The exhibition will conclude 30 April 2014.

This is the address and phone number for Trunk Gallery:

Trunk Gallery
128-3 Sogyeok-dong, Jongno-gu, Seoul.
Phone:  +82-02-3210-1233

Ms. Kim has created an event page over at Facebook that has more details about the exhibition as well as a map showing the location of the gallery.  For those who use Facebook, take a look at the event page here.

Miru Kim's website shows her past projects as well as her very impressive biography and CV.  Her website can be accessed by clicking here.

Last February in 2013, I wrote a brief article about The Camel's Way being exhibited in Taiwan that can be read here.  My article featured a very brief video clip of the exhibition that is still relevant to the subject of the exhibition overall.  To view the video clip, go to Miru Kim's Vimeo page here.