Sunday, October 28, 2012

The 2012 Suncheon Photo Club, 순천 포토 클럽, Group Exhibition

The 2012 Suncheon Photo Club, 순천 포토 클럽, group exhibition started yesterday afternoon in 순천시 문화건강 센터.  With nearly 50 photographs on display for the public to view at no charge, the event marked the 4th year of SPC conducting an exhibition for its members.

The heavy thunderstorm that blanketed the city kept a lot of people away.  That was unfortunate, because I was struck by the quality of the work of the photographers, and I was very impressed with the mounting and framing of the finished pieces.  There happens to be a lot of talented men and women who are members of the club.  I was happy to see my friends who braved the elements to attend the event.  

Prior to the start of the opening reception at 3 p.m., I took some photos of the venue.





 All the photographs above are © Mark Eaton



My wife and I were photographed by the president of the Suncheon Photo Club, 김학수 (He is the gentleman facing the camera holding the cup in the photo above), as we stood next to the two pieces I am showing at the event.

 © 2012 김학수

The color photograph next to my wife is titled, Dwindling II, and it is part of my Water and the Sea project.  The black and white photograph next to me is titled, Hide Openly, and that composition is a part of my  많은 사람들 중의 하나 - One Among Many People.  The 많은 사람들 중의 하나 - One Among Many People project can be seen on my website here.

There is still time to visit the exhibition venue, though it must be done soon, because the exhibit concludes this coming Wednesday, October 31, 2012.  Yes, it is too short an event for the quality of the photographs on display.  The good news is the building appears to remain open until very late at night for visitors.



Monday, October 22, 2012

Maria Lisak Needs Videographers and Others to Help

There are many benefits to living the life of an expatriate.  One benefit is being able to ask for assistance within, and without, the expat community.  Such is the case currently with Maria Lisak.

This past August I wrote a short article for Social Discourse of Disquiet about Maria Lisak here.  At the present time, she is looking for some people to help with a project that will support nature and wildlife.  She is looking for:

1)  People to record a few interviews.
2)  People to spend a day to video habitat areas.
3)  People to translate or to provide captions/subtitles for the interviews and videos.
4)  People to help with the design and layout of materials for a multimedia project coordinated with Cornell University. 

The above mentioned positions are unpaid assignments.  This is an ongoing project until May 2013.  To learn more about this project, please contact Maria Lisak via her email (in an effort to stave off the email mining bots, simply replace AT with the @ symbol, and you will want to eliminate those spaces.  Clear as mud?):

gwangjumaria AT yahoo.com


Tuesday, October 16, 2012

Ricardo Segovia: Fine Art Photographer

Ricardo Segovia is a fine art photographer and a digital imaging instructor from Mexico.  He is also currently studying marketing and advertising to increase his knowledge of the business of photography.  That pursuit of knowledge is a wonderful aspiration, because Ricardo's work  is especially moving to me, and I think a lot of others who enjoy the arts would like to see his photography.  I especially like his still life compositions, because of the depth of detail found in those images.

When Ricardo began is photography career, he worked as a commercial photographer.  While he taught in schools, he rediscovered art and its importance.  His approach to the art of photography is emotional, and it is moving.  What is impressive to me is his attention to detail when he composes a scene during a photo session, and when he processes an image during post-production.  My eyes, and my mind don't tire or get distracted when I view Ricardo's photography.

    Night Table
© Ricardo Segovia


Ricardo is inspired by painters, music, nature, deep emotions, and concepts.  His intent is to extract emotional responses and to share a message with a viewer.  He is effective at this, because much of his work is minimalism.  Simple things are the most powerful and thought provoking.  He believes when a person has the opportunity to create something, it should be memorable.

 Outer Blue
© Ricardo Segovia


 Autumn Leaves No. 3
© Ricardo Segovia


Originally, Ricardo wanted to become a painter.  He felt, however, that he wasn't talented enough to draw or to paint.  He then wanted to study cinematic arts, but that was cost prohibitive to him in Mexico.  He learned that by using a camera he could effectively mesh his appreciation for art and his desire to tell a story.

With film photography, he experimented with black and white film, and with different chemical processes in the wet darkroom.  In the digital age, he experiments with colors, tones, and textures.

When Ricardo composes an image, light is the most important element.  As seen in his still life work above, light shows texture and gives volume and depth to a scene.  He works with different points of view, angles, and perspectives while composing.

His portraiture work is creative, and it is meant to have a psychological impact on the viewer.  Ricardo not only feels with his heart and his mind, he thinks with his heart and mind, too.  And he is patient when he is composing.  One really isn't able to be as keen to detail as Ricardo is by being anything other than patient.  All of the elements must be set up correctly before the shutter is released.     

 My Principle Pleasure
© Ricardo Segovia



Dany as an Angel
© Ricardo Segovia


When I asked Ricardo what is most important to him, he replied family, friends, creativity and art.  The important things in life are always first.

In the future, he wants to do more commercial work, and he wants to continue his work with art.  Some day in the future his dream is to form an association of fine art photographers with the goal of providing financial aid to the photographers to create art projects.

To see more of Ricardo's fine art photography, visit his website here.

Ricardo's blog is nice, because there one can read his thoughts and feelings about his posted photography.  Visit his blog here.

By way of conclusion, I wish to highlight three photography competitions that Ricardo participated in.  A more complete list of his awards and honors can be found on his website.  The three competitions:

In 2010, Ricardo earned a third place award at the Prix de la Photographie Paris in the Professional Fine Art Still Life category.  Autumn Leaves is a series of five photographs that he submitted for consideration to the Px3 photography competition.  Scroll down to the bottom right hand side of the Px3 awards page here to view Autumn Leaves.

During the 2011 6th Annual Black and White Spider Awards, Ricardo was a Nominee in the Still Life - Professional category.  Autumn Leaves was his submitted work in this photography competition.  View Autumn Leaves and the other award winning photographs at the Spider Awards site here.

Also in 2011, Ricardo was a Nominee at the 5th Annual Photography Masters Cup in the Still Life - Professional category with his exquisite piece titled, Night Table.  To view Night Table and the other award winning color photographs, visit the International Color Awards site here.


Monday, October 15, 2012

How Felix Baumgartner's Historic Skydive was Documented

Admittedly, I couldn't stay awake to see the record setting skydive made by Felix Baumgartner; however, I was able to view the lift-off and some of the ascent.  After a restful slumber, and after reading the news of Mr. Baumgartner's successful feat, I was curious to know how this event was documented.

David Cardinal wrote an informative piece about the dive that also included some history and perspective on this incredible accomplishment.  As an educator, I appreciate the illustrations and visual aids that complemented his article.  Read Mr. Caridnal's article at ExtremeTech here.

The next logical step, for me, was to visit the "Cameras and Communications" page by none other than Red Bull Stratos.  One simply does not shop online or drive to the local hardware store to buy all the equipment and gear necessary to ensure the success of this hazardous endeavor.  It had to be designed, tested, manufactured, reviewed.  So, too, the equipment used to document the dive.  Read about it here.

Thanks to the information and link on the "Cameras and Communications" page mentioned above, I visited Jay Nemeth's website:  Flightline Films.  It is a fascinating look into aerospace cinematography and photography.

Congratulations to Felix Baumgartner and to all who worked to make this dive a success.

Sunday, October 14, 2012

Photographs from the Scott Kelby Worldwide Photo Walk Event - Gwangju

Yesterday, Joe Wabe led the 2012 Scott Kelby Worldwide Photo Walk in Gwangju-si, Jeollanam-do, South Korea.  It was a well attended event with a diverse group hailing from many different countries.  There even was an artist who sketched and drew as she walked along the event route with the photographers.

Joe did a fantastic job leading this walk, and everything went smoothly with the help of others whose expertise and contributions were essential.  It was a wonderful learning experience.  It was also fun for me personally as I caught up with some dear friends during the after-event social.

The timing of the photo walk happened to coincide with other events occurring simultaneously along the walk route.  As is my custom, I was looking for scenes and compositions that featured my appreciation for the design elements, water, and the often overlooked behind the scenes aspects of life.


 Urban Jungle
© 2012 Mark Eaton


 Abandoned and Forgotten
© Mark Eaton

I usually shoot in black and white mode; however, Hot Peppers Drying begged for the color composition.

Hot Peppers Drying
© Mark Eaton


The pair of gloves in Abandoned and Forgotten provides a poignant symbolism of those who are discarded so readily.  Just moments after I took this shot, a participant kicked the gloves under the seats where the awaiting participants rest before being called to line up for the parade.  Out of sight and out of mind as fast as one can imagine.